"Al Cabri: Mastering Light – A Photographer's Guiding Star"


Light is the lifeblood of photography.

and understanding its various forms and how to manipulate it is fundamental to creating stunning images. We'll explore the different types of lighting, including natural light and artificial light, as well as the use of modifiers. We'll also provide tips on how to work with available light and artificial lighting sources.

1. Natural Light: A Gift from Nature


black and white candid photograph of a young boy inside an old train cart with natural light.

Natural available light inside an old train.
Fujifilm XE2 Fujinon 18-55 mm f/4 1/250 sec.
ISO 400

Types of Natural Light:

  • Golden Hour: Occurs during the first and last hours of sunlight during the day. It provides a warm, soft, and directional light that's ideal for portrait and landscape photography.


  • Harsh Daylight: When the sun is high in the sky, it can create strong, contrasty shadows. This lighting is challenging but can be used creatively for dramatic effects.


  • Overcast Skies: Cloudy days diffuse light, softening shadows and reducing contrast. It's excellent for even and flattering portraits.


Seascape in the med coast of Spain, winter 2020, by Al Cabri.

Golden hours are great for Landscapes.
Fujifilm XE2 Fujinon 18-55 mm f/8 1/500 sec.
ISO 200


Tips for Working with Natural Light:

  • Direction Matters: Pay attention to the direction of light. Side lighting can emphasize texture and form, while front or back lighting can create different moods.

  • Use Reflectors: Reflectors bounce light back onto your subject and fill in shadows. They come in various colors for different effects.


  • Diffusers: Place a diffuser between the subject and the light source to soften and spread the light.


Natural side light, reflected onto the subject she's in the shade to avoid harsh light,
I always use this approach for outdoor portraits as it emphasizes model's volume,
  creates soft shadows and soft highlights, renders soft skin tones and hides
skin unpleasant details. 

Hasselblad 500c 80 mm Zeiss lens f/8 1/250 sec.
ISO 400


2. Artificial Light: Sculpting with Technology
Types of Artificial Light:

  • Continuous Lighting: These lights are always on, providing a constant source of illumination. They are commonly used in video and product photography.

  • Strobe or Flash Lighting: Strobe lights emit powerful bursts of light and are popular for portrait and studio photography. They come in various forms, including speedlights and studio strobes.

Tips for Working with Artificial Light:

  • Balancing Light: Mix artificial light with natural light when necessary. Adjust your settings to match the color temperature of the light sources.

  • Light Modifiers: Modify the quality of artificial light using tools like softboxes, umbrellas, and grids to control the direction and diffusion of light.

  • Flash Techniques: Learn techniques such as bounce flash, off-camera flash, and high-speed sync to create different effects and avoid harsh shadows.

3. Light Modifiers: Sculpting and Shaping Light


Portable flashlight inside a soft box on a stand upper right side of model without a fill light. This setup gives us light shadows on the face highlights and volume, soft box produces a subtle light which is perfect for Portraiture

Portable flashlight inside a soft box on a stand upper right side of model without a fill light.
This setup gives us light shadows on the facehighlights and volume, soft box produces a subtle
light which is perfect for Portraiture, even inextreme close ups, using this similar setup
will save you several hours on heavy editing on faces and skin tones.

Fujifilm XE2 Fujinon 56 mm f/4 1/125 sec.
ISO 200



Light modifiers are accessories that can be attached to or placed in front of your light source to shape and control the light. Some common modifiers include:

  • Softbox: These create a soft and even light that mimics natural light. They are often used in portrait and product photography.


  • Umbrellas: Umbrellas diffuse and spread light, making them versatile and great for beginners.


  • Snoots: Snoots narrow the light beam, allowing for precision in highlighting specific areas.

  • Grids: Grids control the spread of light, preventing it from spilling onto unwanted areas.


  • Reflectors: Reflectors bounce light onto the subject, providing fill light and reducing shadows.

Tips for Using Light Modifiers:

  • Experiment with different modifiers to achieve the desired effect in your images.

  • Consider the size, shape, and distance of the modifier from the subject to control the quality of light.

  • Understand how modifiers affect the direction and diffusion of light, and adapt them to your creative goals.

In conclusion, mastering various types of lighting and using light modifiers effectively is an essential skill for photographers. Whether you're working with natural light, artificial light, or a combination of both, understanding how to manipulate light allows you to create visually compelling images that convey your artistic vision. As you continue to practice and experiment, you'll gain confidence in your ability to sculpt and shape light to bring your subjects to life. 

Happy shooting! Al Cabri.


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