The Timeless Art of the Portrait by Al Cabri.


Al Cabri Portrait of Natalie Lee, natural light black and white picture of a beautiful caucasian model.
Nikon FM 3 Nikkor 50mm f/1.4
@ f/4 Kodak Tmax 400 2002.

Behind every striking portrait lies more than just a lens and light, it’s a dialogue, a quiet collision of trust, emotion, and intention. For decades, I’ve stood behind that lens not just to take pictures, but to reveal presence. A portrait, when true, becomes a living imprint, something that breathes long after the moment is gone.

This gallery is a curated collection of that truth. A series of portraits born from collaboration, intimacy, and often, a kind of falling in love. Not romantic, but deeper: an emotional and creative resonance with the muse, the person in front of the camera. To create something timeless, you must fall for their story, their silences, their authenticity.

Great portraiture has always lived in this space, somewhere between technique and soul. It’s not about the trends of the moment or the perfection of features. Some of the most iconic images in history were never about beauty in the conventional sense. They were about character. Vulnerability. The lines in a face that speak louder than words.

I grew up inspired by the portrait masters, those who used natural light and subtle direction to bring forward the essence of a person. They didn’t need extravagant concepts or heavy post-production. A simple frame, an honest gaze, and the courage to wait until something real emerged. That was the power. That is the legacy I carry in my work.

A black and white portrait from a top model in Paris france wearing a summer wedding gown custom made by Ingrid Whitman. models is in the foregound while the Iffel tower shows in the backgrond.
Hasselblad 500c 6x6 Zeiss 80 mm.
@ f/11 Kodak Tmax 400


Working with top models across the world has taught me that the true portrait is never about posing. It’s about presence. The strongest images are often captured in the in-between moments, the glance before the pose, the breath just after a laugh, the fleeting tension before surrender. In those seconds, something rare appears. That’s the portrait.

There is a certain magic that happens when the subject feels seen, not judged, not directed, just seen. That’s when the photograph becomes more than a likeness. It becomes a mirror. For them, and for me. Because in every portrait, there’s a trace of the photographer too, the eye behind the camera is always part of the story.

Close up portrait in black and white from a caucasian young model with wet hair, high constrast film picture from 2002
Nikon Fm 3 Nikkor 85mm f/1.4
Kodak Tmax 400

Some of these images were taken in controlled studio environments, others in the chaos of fashion sets or in the golden silence of natural light. But regardless of setting, the intention remains the same: to create something honest. Something that lasts. Something that speaks beyond the noise of our time.

This gallery isn’t just a collection of faces. It’s a celebration of craft, of connection, and of the quiet, unwavering act of observation. It’s my way of honoring the art of portraiture in a time when depth is often overlooked in favor of speed, filters, and fleeting attention.

Real photography, like real connection, takes time. It demands patience, presence, and the willingness to feel, both for the one who stands in front of the lens and the one who stands behind it.

These portraits are my offering to that tradition. A nod to the masters before me, and to the muses who trusted me enough to reveal themselves. Without them, none of this would exist.

Welcome to a space where the portrait still matters.

Where beauty is more than skin deep, and every frame is a quiet story waiting to be heard.

Al Cabri Portraits.




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